01 · WHAT COMES FROM THE PHOTOGRAPH
From image to musical material
- Time
- For music analysis, Blossound reads a central square crop from left to right. Its left edge becomes the opening of the piece; its right edge becomes the ending.
- Melodic contour
- Across 32 vertical slices, edges, color intensity, and local contrast reveal a visual center of gravity. Higher visual weight proposes a higher melodic target; lower weight proposes a lower one. The contour is then shaped into singable phrases rather than translated pixel by pixel.
- Tonal centre
- The dominant hue selects one of twelve key centres along the circle of fifths. It does not turn every color into a separate note.
- Energy
- Edge density and contrast inform tempo. Local contrast and visual energy shape dynamics, while light, warmth, symmetry, and detail help suggest three musical worlds.
- Visual identity
- Up to five perceptually distinct colors are drawn from the complete photograph, preserving a chromatic accent or a true highlight when the image contains one. They paint the vellum field and export treatments; local slice colors illuminate the score. Neither independently generates notes or instruments.